After visiting Lenbachhaus, I handed my daughter a very large yellow book and asked her to take a look. “If you like what you see in this book, I will take you to this exhibition at the Lenbachhaus.”
My daughter is a talented artist who is anti-museum, anti-exhibition, anti-viewing other people’s work in traditional settings. So far in her young life, she’s agreed to visit one exhibition of Maximilian Lückenhaus’s work in Munich and a few exhibitions in while visiting London.
I kept my fingers crossed that the Big Yellow Book showing the Kico Collection would convince my daughter to visit another exhibition outside of her preferred viewing space (Instagram.)
Mentalies Gelb- SonnenHöchstand Die Sammlung KiCo
The heavy yellow book is the catalogue for the KiCo foundations collection which I picked up during the press conference for “Mentales Gelb. Sonnen Höchststand” an exhibition of artwork from the KiCo Foundation showing at the Lenbachhaus until October 8, 2017.
As I walked through the exhibition, I felt surrounded by artists who were passionate about their art practices— their passion exuded into the museum space and added an energy that made me want to keep walking through the rooms. I also had an urge to text the artists and send them hand clap emojis and ask them to hang out with me in Munich and create art. That is how happy I was walking through this exhibition and seeing their finished art pieces.
The creativity, the feeling of immersion and sometimes the humour of the artist is evident in the pieces exhibited and it was exhilarating to walk through the museum with the curator and director who both were overflowing with information and excitement about the pieces from the KiCo Collection.
The KiCo foundation works with the Kunstmuseum Bonn and focuses on the use of colour and light. As we walked through the exhibition with the collectors, you could tell how happy they were with their art collection and, their love of collecting art is a bonus for Germany and the global contemporary art audience who have an opportunity to see the art pieces in exhibitions.
Because Kico began their focus in abstract art focusing on light and colour, the collection and exhibition contain, video, photography, digital prints, painting, installations, sculptures, and even spider webs. Walking from one room to another, I felt like clapping my hands and cheering with what was chosen to be exhibited.
Selected Art Pieces
I didn’t realize how much I loved this room until I got home and saw how many photos I took of the artwork. The big wall shows artwork created by Franz Ackerman and the locations where he has traveled. (A wall travel journal) The smaller artworks are his inspiration for his larger pieces.
I laughed when I saw this piece because I know what it feels like to print the digital colour field and have it streaked. This art piece created in 2015 focuses on how a perfect digital piece can be printed multiple times and each time that it is printed it comes out flawed in some way even though the original file is perfect.
On the wall of the gallery, the collection displayed multiple gray colour fields that have all the errors created when the special canvas was put through a large digital printer.
From our own experience, the printing companies ask you not to have colour fields when printing digitally and they told us gray is one of the worst colours. Knowing this, it was fun to see Wade Guyton artwork blowing up this flaw in digital printing so we can enjoy the consequences of living in the real world and not in our computer files.
Gertrud Fassnacht got caught in my shot of Wolfgang Tillmanns’ work. She provides art tours and is involved in the Sendling art scene.
Below are three of Wolfgang Tillmanns Tamayo Lighter art pieces which play with exposing light on paper.
This artist has a sense of humour and the exhibited piece makes a statement about public art pieces that no one remembers why they exist.
The museum has masked the Lenbach bust in the lobby and if you go into the garden you can take a selfie with one of the masked sculptures in the garden. (You have to be kind of tall. I’m too short to take a good one without a selfie stick.)
Daniel covers the faces of the statues to make you pay attention to the sculpture. Who is it? Did you even know that the sculpture was there? Many of our public art pieces blend into the scenery. When the sculpture is gone, they know something is missing but they don’t quite remember what it was. This is what Daniel is focusing on with his masks and the sculptures. A grouping of Daniel Knorr photographs showcase the forgotten subjects and artists found by the artist.
The Ceal Floyer piece combines colour in the electrical cord and light in the projection and the bulb. A part of the installation is up on the corner of the ceiling and not in this shot (a looping video of hands). Ceal Floyer asks you to take a moment and look for the deeper meaning in the work. Another piece entitled “Monochrome Till” also asks you to see the deeper meaning. (The meaning has to do with colour.)
Gerhard Richter is the inspiration for many German artists. The large Glitch art piece to the right was created using a portion of one of his abstracts.
I know a few Munich Artists obessed with nature and would be fascinated with these art pieces created with spiderwebs. In this piece below, the artist dipped spider webs in ink. The spider web is inside a box so the artwork doesn’t get damaged by the lights.
Here is a link to more of his spider work. but his focus is not on spiders. the artist is “exploring sustainable ways of inhabiting and sensing the environment.”
“Round Rainbow” is Lovely. I could have stood in this room for hours. I did catch a bit of video of it rotating. you can see that on our facebook page.
When I arrived home, I found the book on the dining room table. Walking over to my daughter, I unplugged her ear bud and asked if Sunday was a “thing.” she nodded and put her earbud back in.
The Big yellow book contains all of the artworks in the current foundation and is available for under 40 Euro at the Lenbachhaus bookstore.